{"id":38815,"date":"2026-10-01T16:25:25","date_gmt":"2026-10-01T13:25:25","guid":{"rendered":"https:\/\/adcmemorial.org\/?p=38815"},"modified":"2026-10-12T16:07:26","modified_gmt":"2026-10-12T13:07:26","slug":"sonnected-10-shor-musician-talks-about-the-kai-komus-and-the-ethno-usa-2026-festival","status":"publish","type":"post","link":"https:\/\/adcmemorial.org\/en\/news\/sonnected-10-shor-musician-talks-about-the-kai-komus-and-the-ethno-usa-2026-festival\/","title":{"rendered":"\u2018\u0421onnected\u2019 #10: Shor Musician Talks About the Kai-Komus and the Ethno USA 2026 Festival"},"content":{"rendered":"<p data-pm-slice=\"1 1 []\"><em>The ADC Memorial continues to address the issues facing indigenous peoples in its <a href=\"https:\/\/www.youtube.com\/playlist?list=PLVkngUzemMHrkEKE0uj7zAWJtV65wNlso\">anti-discrimination podcast<\/a>.<\/em><\/p>\n<p data-pm-slice=\"1 1 []\">The tenth episode of <strong>\u201cConnected\u201d<\/strong> features Lev Tannagashev, a young musician from the Shor people, a small-numbered Indigenous people of Southern Siberia. We spoke with him while he was attending <em>Ethno USA 2026<\/em>, an international folk and traditional music festival in Greensboro, North Carolina, USA. This year, the festival brought together 30 participants from India, Brazil, Hungary, Portugal, New Zealand, the United States, and other countries.<\/p>\n<p><em><a href=\"https:\/\/ethno.world\/\">Ethno<\/a><\/em> is a global program for musicians aged 18 to 30. Each participant brings a piece of music from their own culture and teaches it to the others during a 90-minute workshop. The musicians then perform together as an orchestra. Lev played the kai-komus, a traditional two-stringed instrument of the Shor people. It is used to accompany <em>kaichi<\/em>, traditional storytellers who perform epic tales. Such performances can sometimes last for several hours or even days.<\/p>\n<p>Lev described how he learned to play the kai-komus as a child at a music school in his hometown of Myski. Only four or five students attended the classes, almost all of them Shor children. According to Lev, he rarely encountered anyone playing the instrument outside the school. At the festival, he played his instrument in an orchestra for the first time. The experience inspired many new ideas:<\/p>\n<blockquote><p>\u201cMusic should be played, not preserved like an exhibit in a museum.\u201d<\/p><\/blockquote>\n<p>In the episode, Lev also talks about his experience of emigration. He moved to Sweden at the age of 12, speaks Swedish fluently, and is studying jazz. He is now exploring ways to incorporate the kai-komus into jazz music and plans to return to the festival. His story is particularly relevant to young Indigenous people who also find themselves living far from their ancestral homelands.<\/p>\n<p><em>Sound design: Ostap Kukhar<\/em><\/p>\n<p><strong>You can listen in Russian:<\/strong><\/p>\n<ul>\n<li><span class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\" dir=\"auto\"><a href=\"https:\/\/open.spotify.com\/episode\/1bbgNnwb5i6IyPjP9zR8hR?si=sR_36abGSiG12SLw0aCi9A\"><strong>Spotify<\/strong><\/a><\/span><\/li>\n<li><span class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\" dir=\"auto\"><a class=\"fancybox-youtube\" href=\"https:\/\/youtu.be\/qJtAFpnKpo4\" aria-controls=\"fancybox-wrap\" aria-haspopup=\"dialog\"><strong>Youtube<\/strong><\/a><\/span><\/li>\n<li><a href=\"https:\/\/podcasts.apple.com\/ua\/podcast\/adc-memorial-brussels\/id1831772273?l=uk&amp;i=1000792597933\"><strong>Apple Podcasts<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/link.deezer.com\/s\/34EDzVirJZ07wEi7YIhYc\"><strong>Deezer<\/strong><\/a><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" title=\"\u041d\u0410 \u0421\u0412\u042f\u0417\u0418: \u0428\u043e\u0440\u0441\u043a\u0438\u0439 \u043c\u0443\u0437\u044b\u043a\u0430\u043d\u0442 \u041b\u0435\u0432 \u0422\u0430\u043d\u043d\u0430\u0433\u0430\u0448\u0435\u0432 \u043e \u043a\u0430\u0439-\u043a\u043e\u043c\u0443\u0441\u0435 \u0438 \u0444\u0435\u0441\u0442\u0438\u0432\u0430\u043b\u0435 Ethno USA 2026\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/qJtAFpnKpo4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3><strong>Text version of the podcast<\/strong><\/h3>\n<p><em>We are publishing the transcript of the \u2018\u0421onnected\u2019 podcast. <\/em><em>The text has been slightly edited for readability.<\/em><\/p>\n<p><em>\u2014 Joining us today is Lev Tannagashev, a representative of the Shor people \u2014 an Indigenous small-numbered people of Siberia \u2014 and a musician. Hello, Lev!<\/em><\/p>\n<p>\u2014 Hello! Good morning!<\/p>\n<p><em>\u2014 You\u2019re currently at an ethnic music festival in the United States called Ethno USA 2026. Could you tell us what kind of festival it is, who takes part, what the programme is like, and the music of which peoples can be heard there?<\/em><\/p>\n<p>\u2014 It\u2019s an ethnic music festival that brings together 30 musicians from around the world. It takes place in Greensboro, North Carolina. Each participant brings a piece that represents their culture, and each participant is given about an hour and a half to run their workshop and teach their piece to the other participants.<\/p>\n<p><em>\u2014 And does it have to be a piece you\u2019ve written yourself, or one that you perform?<\/em><\/p>\n<p>\u2014 It doesn\u2019t necessarily have to be written by me. It can be a piece that has been played before and that I\u2019ve learned. The main thing is that there shouldn\u2019t be any copyright issues. There are participants from India, Brazil, Hungary and, of course, the United States. There are also two participants from New Zealand. I\u2019m the only person representing Asia as a whole.<\/p>\n<p><em>\u2014 You play the kai-komus? Could you tell us what kind of musical instrument it is and how it is connected to Shor cultural heritage?<\/em><\/p>\n<p>\u2014 The <em>kai-komus<\/em> is our traditional Shor instrument. It has just two strings. A person who plays the kai-komus is called a <em>kaichi<\/em>. That is, someone who tells stories while playing the instrument at the same time.\u00a0The person enters a trance and, essentially, sees something like dreams in front of them while playing the instrument, and then tells the others what they see. The thing is, this can go on for a very long time \u2014 several hours, or even several days.<\/p>\n<p><em>\u2014 And how did you come to play this instrument? Had you heard someone playing it?<\/em><\/p>\n<p>\u2014 There was a music school in the town where I was born, and my parents simply enrolled me in kai-komus lessons. I was about five or six years old. My teacher was Olga Alexandrovna. I studied at the music school for about six years.<\/p>\n<p><em>\u2014 Was she also a local resident?<\/em><\/p>\n<p>\u2014 Yes, she was also from Myski, as far as I remember. She was Shor.<\/p>\n<p><em>\u2014 How do you think ethnic music can be incorporated into contemporary life?<\/em><\/p>\n<p>\u2014 That\u2019s actually a difficult question. You know, music has to be played; it shouldn\u2019t be preserved like an exhibit in a museum. You can take certain distinctive elements of ethnic music and use them in contemporary music, with modern instruments \u2014 synthesisers, for example. Take certain elements that specifically characterise ethnic music. That\u2019s how I would put it.<\/p>\n<p><em>\u2014 So for you, it\u2019s a kind of new application for it \u2014 perhaps \u201capplication\u201d isn\u2019t quite the right word \u2014 but a kind of new life.<\/em><\/p>\n<p>\u2014 Yes.<\/p>\n<p><em>\u2014 It\u2019s difficult to imagine it only in the form you described to me: ceremonies lasting many hours, during which the performer talks about their own visions.<\/em><\/p>\n<p>\u2014 Yes, it doesn\u2019t necessarily have to be preserved in exactly that form. In my case, I think the kai-komus can be used in many different ways. Like what I\u2019m doing now: this is the first time I\u2019ve played in an orchestra. I\u2019ve never done anything like this before.\u00a0Before this, I had always played the instrument solo, on my own. But now there are about 30 of us in the group. I feel like I\u2019ve come up with a lot of ideas about other ways this instrument can be used.<\/p>\n<p><em>\u2014 So it was at this festival that you tried playing in an orchestra for the first time?<\/em><\/p>\n<p>\u2014 Yes, specifically on the kai-komus.<\/p>\n<p><em>\u2014 What other instruments are being played? Are there any similar instruments?<\/em><\/p>\n<p>\u2014 Yes. For example, there\u2019s an instrument from the United States that is also a string instrument and sounds very similar. It also has nylon strings, like mine, and the sound is very similar.\u00a0We have a dedicated string section in the orchestra, with four of us: one from Portugal, one from Cuba, one from the United States, and me from Siberia.<\/p>\n<p>During the first few days, we only had rehearsals. We went through all the pieces from the different countries. For roughly the first four or five days, we went to workshops from morning until evening and learned songs.\u00a0We have mentors \u2014 people who help you with your piece, help you run your workshop and teach the others if there are any gaps in your knowledge of how to teach other people.\u00a0The first few days are entirely devoted to learning. After eight days, we have our first concert.<\/p>\n<p>The programme actually consists of four concerts in different places. For example, we had a concert at a university, where we performed our programme. We also had a workshop where we talked about the festival.<\/p>\n<p>As a musician, it\u2019s important for me to take part in programmes like this to find inspiration and also to make new connections. I brought a song that I used to play at music school in Siberia. As far as I remember, I think my teacher wrote the piece, but I\u2019m not sure.<\/p>\n<p><em>\u2014 I suppose you hadn\u2019t yet had much opportunity to take part in professional musical life in Russia? Or had you already been involved to some extent?<\/em><\/p>\n<p>\u2014 I played at local concerts and took part in various competitions, but I had never participated in anything in Siberia in the kind of format we have here.<\/p>\n<p><em>\u2014 And tell me, what is the situation with your instrument in Russia? Is there a musical community around it? Are there many performers, or is it quite rare?<\/em><\/p>\n<p>\u2014 As far as I know, there are courses in my town, and you can take kai-komus lessons at the music school. As far as I remember, when I was studying there, there weren\u2019t that many students on the programme.<\/p>\n<p><em>\u2014 Have you ever heard the actual ceremony, the actual performance, live outside the music school? Other performers?<\/em><\/p>\n<p>\u2014 I don\u2019t think so. I mean, I\u2019ve watched videos and performances by other musicians from Altai and Khakassia, but I don\u2019t remember seeing any live.<\/p>\n<p><em>\u2014 Are you originally from the town of Myski?<\/em><\/p>\n<p>\u2014 Yes, I was born there and lived there for 12 years.<\/p>\n<p><em>\u2014 You now live in Sweden. I\u2019d like to ask you a few questions, perhaps not about the festival, but about your own life and emigration.\u00a0You left when you were still a child, and you\u2019re a young man. How do you feel about living in emigration?<\/em><\/p>\n<p>\u2014 To be honest, I feel good. I mean, I\u2019m currently studying on a jazz programme at a folk high school, about 900 kilometres from my home, where my parents live. I feel that I\u2019m doing what I want to do.<\/p>\n<p><em>\u2014 So, generally speaking, would you say this is successful integration?<\/em><\/p>\n<p>\u2014 Yes, you could say that. To be honest, I\u2019ve never really thought about what successful integration means.<\/p>\n<p><em>\u2014 You speak the language, for example?<\/em><\/p>\n<p>\u2014 Yes, I speak the language.<\/p>\n<p><em>\u2014 Fluently?<\/em><\/p>\n<p>\u2014 Yes.<\/p>\n<p><em>\u2014 That\u2019s already a huge achievement. And how do you see yourself living away from your historical homeland? Because I know that for representatives of Indigenous peoples this is often a serious issue. You left when you were very young and grew up far from your historical homeland.<\/em><\/p>\n<p>\u2014 Actually, I like living in Sweden. The only thing is that I miss my relatives. But as for life in Siberia, to be honest, I don\u2019t miss it.\u00a0I like Sweden, I have friends here, and I\u2019ve already become part of Swedish society. Sweden has simply become my home.<\/p>\n<p><em>\u2014 This is also important for other young people from Indigenous communities who may also face emigration: it\u2019s important to see what the outcome can be.<\/em><\/p>\n<p><em>Let\u2019s go back to the festival. You mentioned that you\u2019re making connections and that this creates a certain professional environment. Could you tell us whether you have any plans for the future, perhaps, or whether the festival has given you any new ideas?<\/em><\/p>\n<p>\u2014 Yes. The first thing I\u2019ve realised at this festival is that there are far more possibilities for using my instrument than I had imagined.\u00a0I\u2019m studying on a jazz programme now, and I keep thinking about how to incorporate this instrument into jazz. Personally, I\u2019ve never come across anything like that or seen anything online where someone was playing jazz on the kai-komus.\u00a0I tried it here: in addition to my song, they also gave me the opportunity to play a solo. I\u2019d never done anything like that before, so I realised that this instrument has much more potential.<\/p>\n<p>I was also offered the chance to play bass, since that is still my main instrument at the moment. But the participants \u2014 or rather, the mentors \u2014 liked my instrument and the way it sounds, so I\u2019m playing the kai-komus throughout the entire programme.<\/p>\n<p><em>\u2014 You have string instruments there, as you told me. Are there wind instruments?<\/em><\/p>\n<p>\u2014 Yes, there\u2019s a wind section, which includes trumpet and flutes. There\u2019s also a percussion section.\u00a0There are bowed string instruments, there are violins, and we have a cello. Then there\u2019s a choir section. They\u2019re divided into bass, tenor and soprano. Everyone sings and plays their own solo in practically every piece.<\/p>\n<p><em>\u2014 When you say \u201ccello\u201d, for example, do you mean a traditional cello or some particular type of cello?<\/em><\/p>\n<p>\u2014 No, it\u2019s a regular cello.<\/p>\n<p><em>\u2014 And how is it connected to Indigenous music?<\/em><\/p>\n<p>\u2014 As far as I understand, the instruments don\u2019t necessarily have to be specifically ethnic instruments. You can come from any country and present your piece on whatever instrument you play. Preferably your piece should be connected to your culture.<\/p>\n<p><em>\u2014 And is any recording being made? Will people be able to listen to it somewhere?<\/em><\/p>\n<p>\u2014 Yes, they\u2019ve uploaded the full concert to YouTube. The first one, when we performed at the university. There\u2019s a full recording of the entire concert.<\/p>\n<p><em>\u2014 If you took part this year, can you take part again next year?<\/em><\/p>\n<p>\u2014 Yes. Participants range in age from 18 to 30, and you can take part in other ones as well. Since it\u2019s a global programme, it exists in practically every country. It all depends on whether you can afford it financially.<\/p>\n<p><em>\u2014 So you pay for your own travel?<\/em><\/p>\n<p>\u2014 Yes, specifically the tickets.<\/p>\n<p><em>\u2014 And accommodation and meals here are provided by the festival?<\/em><\/p>\n<p>\u2014 Yes.<\/p>\n<p><em>\u2014 And how long does the festival last?<\/em><\/p>\n<p>\u2014 The festival lasts between 10 and 12 days on average. Well, this particular programme in the USA does.\u00a0So here it\u2019s 10\u201312 days, which include, first and foremost, learning, as well as the concerts themselves.<\/p>\n<p><em>\u2014 When you were studying at music school, how many other students were there besides you?<\/em><\/p>\n<p>\u2014 The number of students varied all the time, but on average there were about five, or four. Something like that. At least when I was studying there, particularly in the last few years, there were roughly that many.<\/p>\n<p><em>\u2014 Is that significantly fewer than for classical instruments?<\/em><\/p>\n<p>\u2014 Yes. I don\u2019t remember the kai-komus being particularly popular. Most likely, it was mainly Shor children who came to learn the instrument.<\/p>\n<p><em>\u2014 Was it possible to continue studying this instrument, for example, by going to a conservatoire?<\/em><\/p>\n<p>\u2014 I think there\u2019s a music conservatoire in Khakassia where you can continue studying this instrument.<\/p>\n<p><em>\u2014 Tell me, have you been interested in how music education works in other countries? Have you talked about it with your colleagues who came to the festival?<\/em><\/p>\n<p>\u2014 We haven\u2019t talked about ethnic instruments. But we have talked about music education in general. We mainly talked about the cost. I\u2019m very glad that I live in Sweden and that education is free there. We have some very good music universities and conservatoires. I\u2019m very glad that Sweden gives people the opportunity to study for free.<\/p>\n<p>I plan to continue studying music and pursue an education in music and come back to the festival.<\/p>\n<p><em>This was a podcast from the Memorial Anti-Discrimination Centre Brussels.\u00a0If this topic is of interest to you, don\u2019t forget to subscribe and give us a like.\u00a0All the best, and until next time.<\/em><\/p>\n<p><em>We\u2019ll stay connected.<\/em><\/p>\n<hr \/>\n<p><em>The \u2018\u0421onnected\u2019 podcast series highlights the project \u2018Indigenous Peoples\u2019 Rights for a Democratic Future\u2019, which is being implemented by INFOE (Institut f\u00fcr \u00d6kologie und Aktions-Ethnologie e.V.), ICIPR (International Committee of Indigenous Peoples of Russia), the Never Again Association and the ADC Memorial, with the support of the German Federal Foreign Office.<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-38160\" src=\"https:\/\/adcmemorial.org\/wp-content\/uploads\/screenshot-2026-06-22-at-10-45-41-civil-society-cooperation-iep.png\" alt=\"\" width=\"178\" height=\"88\" srcset=\"https:\/\/adcmemorial.org\/wp-content\/uploads\/screenshot-2026-06-22-at-10-45-41-civil-society-cooperation-iep.png 546w, https:\/\/adcmemorial.org\/wp-content\/uploads\/screenshot-2026-06-22-at-10-45-41-civil-society-cooperation-iep-300x148.png 300w, https:\/\/adcmemorial.org\/wp-content\/uploads\/screenshot-2026-06-22-at-10-45-41-civil-society-cooperation-iep-220x109.png 220w, https:\/\/adcmemorial.org\/wp-content\/uploads\/screenshot-2026-06-22-at-10-45-41-civil-society-cooperation-iep-250x124.png 250w, https:\/\/adcmemorial.org\/wp-content\/uploads\/screenshot-2026-06-22-at-10-45-41-civil-society-cooperation-iep-364x180.png 364w\" sizes=\"auto, (max-width: 178px) 100vw, 178px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-38156\" src=\"https:\/\/adcmemorial.org\/wp-content\/uploads\/bwm-verwendung-2-data.png\" alt=\"\" width=\"200\" height=\"88\" srcset=\"https:\/\/adcmemorial.org\/wp-content\/uploads\/bwm-verwendung-2-data.png 1600w, https:\/\/adcmemorial.org\/wp-content\/uploads\/bwm-verwendung-2-data-300x132.png 300w, https:\/\/adcmemorial.org\/wp-content\/uploads\/bwm-verwendung-2-data-650x285.png 650w, https:\/\/adcmemorial.org\/wp-content\/uploads\/bwm-verwendung-2-data-768x337.png 768w, https:\/\/adcmemorial.org\/wp-content\/uploads\/bwm-verwendung-2-data-1536x674.png 1536w, https:\/\/adcmemorial.org\/wp-content\/uploads\/bwm-verwendung-2-data-220x97.png 220w, https:\/\/adcmemorial.org\/wp-content\/uploads\/bwm-verwendung-2-data-250x110.png 250w, https:\/\/adcmemorial.org\/wp-content\/uploads\/bwm-verwendung-2-data-550x241.png 550w, https:\/\/adcmemorial.org\/wp-content\/uploads\/bwm-verwendung-2-data-800x351.png 800w, https:\/\/adcmemorial.org\/wp-content\/uploads\/bwm-verwendung-2-data-410x180.png 410w, https:\/\/adcmemorial.org\/wp-content\/uploads\/bwm-verwendung-2-data-684x300.png 684w, https:\/\/adcmemorial.org\/wp-content\/uploads\/bwm-verwendung-2-data-1140x500.png 1140w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The ADC Memorial continues to address the issues facing indigenous peoples in its anti-discrimination podcast. The tenth episode of \u201cConnected\u201d features Lev Tannagashev, a young musician from the Shor people, a small-numbered Indigenous people of Southern Siberia. We spoke with&#8230;<\/p>\n","protected":false},"author":3,"featured_media":38816,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2,679],"tags":[535],"strategy_cases":[],"campaign":[],"archive":[],"filter-content":[],"regions":[515],"class_list":["post-38815","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-podcasts-en","tag-indigenous-peoples","regions-russia"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.3 - aioseo.com -->\n\t<meta name=\"description\" content=\"The ADC Memorial continues to address the issues facing indigenous peoples in its anti-discrimination podcast. 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ADC Memorial continues to address the issues facing indigenous peoples in its anti-discrimination podcast. The tenth episode of \u201cConnected\u201d features Lev Tannagashev, a young musician from the Shor people, a small-numbered Indigenous people of Southern Siberia. We spoke with him while he was attending Ethno USA 2026, an international folk and traditional music festival in Greensboro, North Carolina, USA. This year, the festival brought together 30 participants from India, Brazil, Hungary, Portugal, New Zealand, the United States, and other countries. Ethno is a global program for musicians aged 18 to 30. Each participant brings a piece of music from&hellip;<\/p>\n","category_list_v2":"<a href=\"https:\/\/adcmemorial.org\/en\/category\/news\/\" rel=\"category tag\">News<\/a>, <a href=\"https:\/\/adcmemorial.org\/en\/category\/podcasts-en\/\" rel=\"category tag\">Podcasts<\/a>","author_info_v2":{"name":"admin3","url":"https:\/\/adcmemorial.org\/en\/author\/admin3\/"},"comments_num_v2":"0 comments","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/posts\/38815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/comments?post=38815"}],"version-history":[{"count":1,"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/posts\/38815\/revisions"}],"predecessor-version":[{"id":38821,"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/posts\/38815\/revisions\/38821"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/media\/38816"}],"wp:attachment":[{"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/media?parent=38815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/categories?post=38815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/tags?post=38815"},{"taxonomy":"strategy_cases","embeddable":true,"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/strategy_cases?post=38815"},{"taxonomy":"campaign","embeddable":true,"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/campaign?post=38815"},{"taxonomy":"archive","embeddable":true,"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/archive?post=38815"},{"taxonomy":"filter-content","embeddable":true,"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/filter-content?post=38815"},{"taxonomy":"regions","embeddable":true,"href":"https:\/\/adcmemorial.org\/en\/wp-json\/wp\/v2\/regions?post=38815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}